>Ian Dawson

>Archaeology

>'Metalithic Postcards During the Pandemic'

>And Travelling Often In The Cut We Make

>Diffracting Digital Images in the Making

>Nessglyph Boxset

>Temporal Frankensteins and Legacy Images

>C328 REMIX

>Diffracting Digital Images

 Towards a Virtual Art Archaeology

>Metalithics

>Provenance Illusions and Elusive Paradata: When Archaeology and Art/Archaeological Practice Meets the Phygital

>Track and Trace, and Other Collaborative Art/Archaeology Bubbles in the Phygital Pandemic

>Fused Filament Flints 

>Images in the Making

>Itinerant Objects

> Messy Assemblages, Residuality and Recursion within a Phygital Nexus, Epoiesen Journal

>Terminal Hut

>RTI

>Silbury Hill, West Kennet, Avebury

>Daylight RTI, Fox Talbot Museum and Laycock Abbey

>Taeppas Low

>Orkney

>Monkton Up Wimborne

>Digital Imaging and Prehistoric Imagery

>Tuefelsberg Field Station

>Blythe House

>Partially Buried Woodshed

>Object Lessons

>Taplow House 

>Cuevas

>Dirty RTI

>Lights Camera Action

>Horniman Museum

>Museen Dahlem

>Viking Dice

>Pit Rivers Museum

>Avebury

>Carved Stone Balls

>Cholula Mexico

>Folkton Drums

>Photosculpture

>Ports Print Head

>Making Digital: Visual Approaches to the Digital Humanities