>Ian Dawson
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>'Metalithic Postcards During the Pandemic' (2024)
>OST exhibition catalogue PDF (2023)
>Waste Work: The Art of Survival in Dharavi (2023)
>And Travelling Often In The Cut We Make (2023)
>Hard Times Exhibition Catalogue (PDF) 2022
>Diffracting Digital Images in the Making 2022
>Temporal Frankensteins and Legacy Images 2022
>Diffracting Digital Images 2022
> Towards a Virtual Art Archaeology 2021
>Track and Trace, and Other Collaborative Art/Archaeology Bubbles in the Phygital Pandemic 2021
>Terminal Hut 2019
> Messy Assemblages, Residuality and Recursion within a Phygital Nexus, Epoiesen Journal 2019
>Do Not Touch? Conference, The Fitzwilliam Museum, Cambridge UK, 2019
>Being Plastic, Art, Materiality and Representation Conference, British Museum 2018
>Fidget Doodling, House of Fairy Tales, Art Car Boot Fair, Vauxhall London 2017
>Objetos funerarios in MÁS ALLÁ DEL TEXTO Cultura digital y nuesvas epistemologías 2017
>Pictures Not Homes Symposium 2017
>Artist Boss 2016
>Then For Now (PDF) 2015
>The Wanderer's Nightsong II (PDF) 2015
>Digital imaging and prehistoric imagery: a new analysis of the Folkton Drums 2014
>Object Lessons 2014
>Miru Miru Mega Yokunaru (your eye sight will get better in a short rate of time) (PDF) 2014
>Making Digital: Visual Approaches to the Digital Humanities 2013
>Armada (PDF) 2013
>Making Contemporary Sculpture 2012
>The Photosculptural Hypothesis 2012
>Two and a Half Dimensions (PDF) 2011
>Frieze 20th Anniversary Edition 2011
>Against Grids 2010
>Blind Handshake 2009
>Collage: Assembling Contemporary Art 2008
>There is a collar for the wild dog 2008
>Modern British Sculpture 2005
>Tilt Trucks and Free Fliers 2003
>Plastic Fantastic 2003
>Wonderland 2003